The Pedestrian

by Ray Bradbury

To enter out into that silence that was the city at eight o'clock of a misty evening in November, to put your feet upon that buckling concrete walk, to step over grassy seams and make your way, hands in pockets, through the silences, that was what Mr. Leonard Mead most dearly loved to do. He would stand upon the corner of an intersection and peer down long moonlit avenues of sidewalk in four directions, deciding which way to go, but it really made no difference; he was alone in this world of A.D. 2053, or as good as alone, and with a final decision made, a path selected, he would stride off, sending patterns of frosty air before him like the smoke of a cigar.

Sometimes he would walk for hours and miles and return only at midnight to his house. And on his way he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows. Sudden gray phantoms seemed to manifest upon inner room walls where a curtain was still undrawn against the night, or there were whisperings and murmurs where a window in a tomb-like building was still open.

Mr. Leonard Mead would pause, cock his head, listen, look, and march on, his feet making no noise on the lumpy walk. For long ago he had wisely changed to sneakers when strolling at night, because the dogs in intermittent squads would parallel his journey with barkings if he wore hard heels, and lights might click on and faces appear and an entire street be startled by the passing of a lone figure, himself, in the early November evening.

On this particular evening he began his journey in a westerly direction, toward the hidden sea. There was a good crystal frost in the air; it cut the nose and made the lungs blaze like a Christmas tree inside; you could feel the cold light going on and off, all the branches filled with invisible snow. He listened to the faint push of his soft shoes through autumn leaves with satisfaction, and whistled a cold quiet whistle between his teeth, occasionally picking up a leaf as he passed, examining its skeletal pattern in the infrequent lamplights as he went on, smelling its rusty smell.

"Hello, in there," he whispered to every house on every side as he moved. "What's up tonight on Channel 4, Channel 7, Channel 9? Where are the cowboys rushing, and do I see the United States Cavalry over the next hill to the rescue?"
The street was silent and long and empty, with only his shadow moving like the shadow of a hawk in midcountry. If he closed his eyes and stood very still, frozen, he could imagine himself upon the center of a plain, a wintry, windless Arizona desert with no house in a thousand miles, and only dry river beds, the streets, for company.

"What is it now?" he asked the houses, noticing his wrist watch. "Eight-thirty P.M.? Time for a dozen assorted murders? A quiz? A revue? A comedian falling off the stage?"

Was that a murmur of laughter from within a moon-white house? He hesitated, but went on when nothing more happened. He stumbled over a particularly uneven section of sidewalk. The cement was vanishing under flowers and grass. In ten years of walking by night or day, for thousands of miles, he had never met another person walking, not once in all that time.
He came to a cloverleaf intersection which stood silent where two main highways crossed the town. During the day it was a thunderous surge of cars, the gas stations open, a great insect rustling and a ceaseless jockeying for position as the scarab-beetles, a faint incense puttering from their exhausts, skimmed homeward to the far directions. But now these highways, too, were like streams in a dry season, all stone and bed and moon radiance.

He turned back on a side street, circling around toward his home. He was within a block of his destination when the lone car turned a corner quite suddenly and flashed a fierce white cone of light upon him. He stood entranced, not unlike a night moth, stunned by the illumination, and then drawn toward it.

A metallic voice called to him:
"Stand still. Stay where you are! Don't move!"
He halted.
"Put up your hands!"
"But—" he said.
"Your hands up! Or we'll Shoot!"

The police, of course, but what a rare, incredible thing; in a city of three million, there was only one police car left, wasn't that correct? Ever since a year ago, 2052, the election year, the force had been cut down from three cars to one. Crime was ebbing; there was no need now for the police, save for this one lone car wandering and wandering the empty streets. "Your name?" said the police car in a metallic whisper. He couldn't see the men in it for the bright light in his eyes.

"Leonard Mead," he said.
"Speak up!"
"Leonard Mead!"
"Business or profession?"
"I guess you'd call me a writer."

"No profession," said the police car, as if talking to itself. The light held him fixed, like a museum specimen, needle thrust through chest. "You might say that," said Mr. Mead. He hadn't written in years. Magazines and books didn't sell any more. Everything went on in the tomblike houses at night now, he thought, continuing his fancy. The tombs, ill-lit by television light, where the people sat like the dead, the gray or multicolored lights touching their faces, but never really touching them. "No profession," said the phonograph voice, hissing. "What are you doing out?"

"Walking," said Leonard Mead.
"Walking!"
"Just walking," he said simply, but his face felt cold.
"Walking, just walking, walking?"
"Yes, sir."
"Walking where? For what?"
"Walking for air. Walking to see."
"Your address!"
"Eleven South Saint James Street."
"And there is air in your house, you have an air conditioner, Mr. Mead?"
"Yes."
"And you have a viewing screen in your house to see with?"
"No."
"No?" There was a crackling quiet that in itself was an accusation.
"Are you married, Mr. Mead?"
"No."
"Not married," said the police voice behind the fiery beam. The moon was high and clear among the stars and the houses were gray and silent.
"Nobody wanted me," said Leonard Mead with a smile.
"Don't speak unless you're spoken to!"
Leonard Mead waited in the cold night.
"Just walking, Mr. Mead?"
"Yes."
"But you haven't explained for what purpose."
"I explained; for air, and to see, and just to walk."
"Have you done this often?"
"Every night for years."
The police car sat in the center of the street with its radio throat faintly humming.
"Well, Mr. Mead," it said.
"Is that all?" he asked politely.
"Yes," said the voice. "Here." There was a sigh, a pop. The back door of the police car sprang wide. "Get in."
"Wait a minute, I haven't done anything!"
"Get in."
"I protest!"
"Mr. Mead."
He walked like a man suddenly drunk. As he passed the front window of the car he looked in. As he had expected, there was no one in the front seat, no one in the car at all.
"Get in."

He put his hand to the door and peered into the back seat, which was a little cell, a little black jail with bars. It smelled of riveted steel. It smelled of harsh antiseptic; it smelled too clean and hard and metallic. There was nothing soft there.
"Now if you had a wife to give you an alibi," said the iron voice. "But—"
"Where are you taking me?"

The car hesitated, or rather gave a faint whirring click, as if information, somewhere, was dropping card by punch-slotted card under electric eyes. "To the Psychiatric Center for Research on Regressive Tendencies."

He got in. The door shut with a soft thud. The police car rolled through the night avenues, flashing its dim lights ahead.
They passed one house on one street a moment later, one house in an entire city of houses that were dark, but this one particular house had all of its electric lights brightly lit, every window a loud yellow illumination, square and warm in the cool darkness.

"That's my house," said Leonard Mead.
No one answered him.

The car moved down the empty river-bed streets and off away, leaving the empty streets with the empty sidewalks, and no sound and no motion all the rest of the chill November night.

The Fog Horn

by Ray Bradbury

OUT there in the cold water, far from land, we waited every night for the coming of the fog, and it came, and we oiled the brass machinery and lit the fog light up in the stone tower. Feeling like two birds in the grey sky, McDunn and I sent the light touching out, red, then white, then red again, to eye the lonely ships. And if they did not see our light, then there was always our Voice, the great deep cry of our Fog Horn shuddering through the rags of mist to startle the gulls away like decks of scattered cards and make the waves turn high and foam.

"It's a lonely life, but you're used to it now, aren't you?" asked McDunn.

"Yes," I said. You're a good talker, thank the Lord."

"Well, it's your turn on land tomorrow," he said, smiling, "to dance the ladies and drink gin."

"What do you think McDunn, when I leave you out here alone?"

"On the mysteries of the sea." McDunn lit his pipe. It was a quarter past seven of a cold November evening, the heat on, the light switching it's tail in two hundred directions, the Fog Horn bumbling in the high throat of the tower. There wasn't a town for a hundred miles down the coast, just a road, which came lonely through the dead country to the sea, with few cars on it, a stretch of two miles of cold water out to our rock, and rare few ships.

The mysteries of the sea," said McDunn thoughtfully. "You know, the ocean's the biggest damned snowflake ever? It rolls and swells a thousand shapes and colours, no two alike. Strange. One night, years ago, I was here alone, when all of the fish of the sea surfaced out there. Something made them swim in and lie in the bay, sort of trembling and staring up at the tower light going red, white, red, white across them so I could see their funny eyes. I turned cold. They were like a big peacock's tail, moving out there until midnight. Then, without so much as a sound, they slipped away, the million of them was gone. I kind of think maybe, in some sort of way, they came all those miles to worship, Strange, But think how the tower must look to them, standing seventy feet above the water, the God-light flashing out from it, and the tower declaring itself with a monster voice. They never came back, those fish, but don't you think for a while they thought they were in the Presence?"

I shivered. I looked out at the long grey lawn of the sea stretching away into nothing and nowhere.

"Oh, the sea's full." McDunn puffed his pipe nervously, blinking. He had been nervous all day and hadn't said why. "For all our engines and so-called submarines, it'll be ten thousand centuries before we set foot on the real bottom of the sunken lands, in the fairy kingdoms there, and know real terror. Think of it, it's still the year 300,000 Before Christ down under there. While we've paraded around with trumpets, lopping off each other's countries and heads, they have been living beneath the sea twelve miles deep and cold in a time as old as the beard on a comet.

"Yes it's an old world."

"Come on. I got something special I've been saving up to tell you."

We ascended the eighty steps, talking and taking our time. At the top, McDunn switched off the room lights so there'd be no reflection in the plate glass. The great eye of the light was humming, turning easily in its oiled socket. the Fog Horn was blowing steadily, once every fifteen seconds.

"Sounds like an animal, don't it?" McDunn nodded to himself. "A big lonely animal crying in the night. Sitting here on the edge of ten million years calling out to the deeps. I'm here, I'm here, I'm here. And the Deeps do answer, yes, they do. You been here now for three months Johnny, so I better prepare you. About this time of year," he said, studying the murk and fog, "something comes to visit the lighthouse."

"The swarms of fish like you said?'

"No, this is something else. I've put off telling you because you might think I'm daft. But tonight's the latest I can put it off, for if my calender's marked right from last year, tonight's the night it comes. I won't go into detail, you'll have to see it for yourself. Just sit down there. If you want, tomorrow you can pack your duffel and take the motorboat into land and get your car parked there at the dinghy pier on the cape and drive on back to some little inland town and keep your lights burning nights. I won't question or blame you. It's happened three years now, and this is the only time anyone's been here with me to verify it. You wait and watch."

Half an hour passed with only a few whispers between us. When we grew tired waiting, McDunn began describing some of his ideas to me. He had some theories about the Fog Horn itself.

"One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like the trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life.""

The Fog Horn blew.

"I made up that story," said McDunn quietly, "to try to explain why this thing keeps coming back to the lighthouse every year. The fog horn calls, I think, it comes..."

"But-" I said.

"Sssst!" said McDunn. "There!" He nodded out to the Deeps.

Something was swimming towards the lighthouse tower.

It was a cold night, as I said; the high tower was cold, the light coming and going, and the Fog Horn calling and calling through the ravelling mist. You couldn't see far and you couldn't see plain, but there was the deep sea moving on it's way about the night earth, flat and quiet, to colour of grey mud, and here were the two of us alone in the high tower, and there, far out at first, was a ripple, followed by a wave, a rising, a bubble, a bit of froth/ And then, from the surface of the cold sea came a head, a large head, dark-coloured, with immense eyes, and then a neck And then-not a body-but more neck and more! The head rose a full forty feet above the water ona slender and beautiful neck. Only then did the body, like a little island of black coral and shells and crayfish, drip up from the subterranean. There was a flicker of tail. In all, from head to tip of tail, I estimated the monster at ninety or a hundred feet.

I don't know what I said. I said something.

"Steady, bot, steady," whispered McDunn.

"It's impossible!" I said.

"No, Johnny, we're impossible. It's like it always was ten million years ago. It hasn't changed.. It's us and the land that've changed, become impossible. Us!"

It swam slowly and with a great majesty out in the icy waters, far away. the fog came and went about it, momentarily erasing its shape. One of the monster eyes caught and held and flashed back our immense light, red, white, red, white, like a disc held high and sending a message in primaeval code. It was as silent as the fog through which it swam.

"It's a dinosaur of some sort!" I crouched down, holding to the stair rail.

"Yes, one of the tribe."

"But they died out!"

"No, only hid away in the Deeps, Deep, deep down in the deepest Deeps. Isn't that a word now, Johnny, a real word, it says so much: the Deeps. There's all the coldness and darkness and deepness in the worldin a word like that."

"What'' we do?"

"Do? We got our job, we can't leave. besides, we're safer here than in any boat trying to get to land. That thing's as big as a destroyer and almost as swift."

"But here, why does it come here?"

The next moment I has my answer.

The Fog Horn blew.

And the monster answered.

A cry came across a million years of water and mist. A cry so anguished and alone it shuddered in my head and my body. The monster cried out at the tower. The Fog Horn blew. The monster roared again. The Fog Horn blew. The monster opened its great toothed mouth and the sound that came from it was the sound of the Fog Horn itself. Lonely and vast and far away. The sound of isolation, a viewless sea, a cold night, apartness. That was the sound.

"Now," whispered McDunn, "do you know why it comes here?"

I nodded.

"All year long, Johnny, that poor monster there lying far out, a thousand miles at sea, and twenty miles deep maybe, biding its time, perhaps a million years old, this one creature. Think of it, waiting a million years; could you wait that long? Maybe it's the last of its kind. I sort of think that's true. Anyway, here come men on land and build this lighthouse, five years agao. And set up their Fog Horn and sound it and sound it out towards the place where you bury yourself in sleep and sea memories of a world where there were thousands like yourself, but now you're alone, all alone in a world that's not made for you, a world where you have to hide.

"But the sound of the Fog Horn comes and goes, comes and goes, and you stir from the muddy bottom of the Deeps, and your eyes open like the lenses of two-foot cameras and you move, slow, slow, for you have the ocean sea on your shoulders, heavy. But that Fog Horn comes through a thousand miles of water, faint and familiar, and the furnace in your belly stokes up, and you begin to rise, slow, slow. You feed yourself on minnows, on rivers of jellyfish, and you rise slow through the autumn months, through September when the fogs started, through October with more fog and the horn still calling you on, and then, late in November, after pressurizing yourself day by day, a few feet higher every hour, you are near the surface and still alive. You've got to go slow; if you surfaced all at once you'd explode. So it takes you all of three months to surface, and then a number of days to swim through the cold waters to the lighthouse. And there you are, out there, in the night, Johnny, the biggest damned monster in creation. And here's the lighthouse calling to you, with a long neck like your neck sticking way up out of the water, and a body like your body, and most important of all, a voice like your voice. Do you understand now, Johnny, do you understand?"

The Fog Horn blew.

The monster answered.

I saw it all, I knew it all-the million years of waiting alone, for someone to come back who never came back. The million years of isolation at the bottom of the sea, the insanity of time there, while the skies cleared of reptile-birds, the swamps fried on the continental lands, the sloths and sabre-tooths had there day and sank in tar pits, and men ran like white ants upon the hills.

The Fog Horn Blew.

"Last year," said McDunn, "that creature swam round and round, round and round, all night. Not coming to near, puzzled, I'd say. Afraid, maybe. And a bit angry after coming all this way. But the next day, unexpectedly, the fog lifted, the sun came out fresh, the sky was as blue as a painting. And the monster swam off away from the heat and the silence and didn't come back. I suppose it's been brooding on it for a year now, thinking it over from every which way."

The monster was only a hundred yards off now, it and the Fog Horn crying at each other. As the lights hit them, the monster's eyes were fire and ice, fire and ice.

"That's life for you," said McDunn. "Someone always waiting for someone who never comes home. Always someone loving some thing more than that thing loves them. And after a while you want to destroy whatever that thing is, so it can hurt you no more."

The monster was rushing at the lighthouse.

The Fog Horn blew.

"Let's see what happens," said McDunn.

He switched the Fog Horn off.

The ensuing minute of silence was so intense that we could hear our hearts pounding in the glassed area of the tower, could hear the slow greased turn of the light.

The monster stopped and froze. It's great lantern eyes blinked. Its mouth gaped. It gave a sort of rumble, like a volcano. It twitched its head this way and that, as if to seek the sounds now dwindled off in the fog. It peered at the lighthouse. It rumbled again. Then its eyes caught fire. It reared up, threshed the water, and rushed at the tower, its eyes filled with angry torment.

"McDunn!" I cried. "Switch on the horn!"

McDunn fumbled with the switch. But even as he switched it on, the monster was rearing up. I had a glimpse of its gigantic paws, fishskin glittering in webs between the finger-like projections, clawing at the tower. The huge eye on the right side of its anguished head glittered before me like a cauldron into which I might drop, screaming. The tower shook. The Fog Horn cried; the monster cried. It seized the tower and gnashed at the glass, which shattered in upon us.

McDunn seized my arm. "Downstairs!"

The tower rocked, trembled, and started to give. The Fog Horn and the monster roared. We stumbled and half fell down the stairs. "Quick!"

We reached the bottom as the tower buckled down towards us. We ducked under the stairs in the small stone cellar. There were a thousand concussions as the rocks rained down; the Fog Horn stopped abruptly. The monste crashed upon the tower. The tower fell. We knelt together, McDunn and I holding tight, while our world exploded.

Then it was over and there was nothing but darkness and the wask of the sea on the raw stones.

That and the other sound.

"Listen," said McDunn quietly. "Listen."

We waited a moment. And then I began to hear it. First a great vacuumed sucking of air, and then the lament, the bewilderment, the loneliness of the great monster, folded over upon us, above us, so that the sickening reek of its body filled the air, a stone's thickness away from our cellar. The monster gasped and cried. The tower was gone. The light was gone. The thing that had called it across a million years was gone. And the monster was opening its mouth and sending out great sounds. the sounds of a Fog Horn, again and again. And ships far at sea, not finding the light, not seeing anything, but passing and hearing late that night must've thought: There it is, the lonely sound, the Lonesome Bay horn. All's well. We've rounded the cape.

And so it went for the rest of that night.

The sun was hot and yellow the next afternoon when the rescuers came to dig us from our stoned-under cellar.

"It fell apart, is all," said McDunn gravely. "We had a few bad knocks from the waves and it just crumbled." He pinched my arm.

There was nothing to see. The ocean was calm, the sky blue. The only thing was a great algaic stink from the green matter that covered the fallen tower stones and the shore rocks. Flies buzzed about. The ocean washed empty on the shore.

The next year they built a new lighthouse, but by that time I had a job in the little town and a wife and a good small warm house that glowed yellow on autumn nights, the doors locked, the chimney puffing smoke. As for McDunn. he was master of the new lighthouse, built to his own specifications, out of steel-reinforced concrete. "Just in case," he said.

The new lighthouse was ready in November. I drove down alone one evening late and parked my car and looked across the grey waters and listened to the new horn sounding, once, twice, three, four times a minute far out ther by itself.

The monster?

It never came back.

"It's gone away," said McDunn. "It's gone back to the Deeps. It's learned you can't love anything too much in this world. It's gone into the deepest Deeps to wait another million years. Ah, the poor thing! Waiting out there, and waiting out there, while man comes and goes on this pitiful little planet. Waiting and waiting.

I sat in my car, listening. I couldn't see the lighthouse or the light standing out in Lonesome Bay. I could only hear the Horn, the Horn, the Horn. It sounded like the monster calling.

I sat there wishing there was something I could say.

There Will Come Soft Rains

by Ray Bradbury

In the living room the voice-clock sang, Tick-tock, seven o'clock, time to get up, time to get up, seven o'clock! As if it were afraid that nobody would. The morning house lay empty. The clock ticked on, repeating and repeating its sounds into the emptiness. Seven-nine, breakfast time, seven-nine.

In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior eight pieces of perfectly browned toast, eight eggs sunny side up, sixteen slices of bacon, two coffees and two cool glasses of milk.

"Today is August 4, 2026," said a second voice from the kitchen ceiling, "in the city of Allendale, California." It repeated the date three times for memory's sake. "Today is Mr. Featherstone's birthday. Today is the anniversary of Tilita's marriage. Insurance is payable, as are the water, gas, and light bills."

Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.

Eight-one, tick-tock, eight-one o'clock, off to school, off to work, run, run, eight-one! But no doors slammed, no carpets took the soft thread of rubber heels. It was raining outside.

The weather box on the front door sang quietly: "Rain, rain, go away; rubbers, raincoats for today…" And the rain tapped on the empty house, echoing.

Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait the door swung down again.

At eight-thirty the eggs shriveled and the toast was like stone. An aluminum wedge scraped them into the sink, where hot water whirled them down a metal throat which digested and flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and emerged twinkling dry.

Nine-fifteen, sang the clock, time to clean.
Out of warrens in the wall, tiny robot mice darted. The rooms were a crawl with the small cleaning animals, all rubber and metal. They thudded against chairs, whirling their mustached runner, kneading the rug nap, sucking gently at hidden dust. They like mysterious invaders, they popped into their burrows. Their pink electric eyes faded. The house was clean.

Ten o'clock. The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.

Ten-fifteen. The garden sprinklers whirled up in golden founts, filling the soft morning air with scattering of brightness. The water pelted windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick up flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air higher up, the image of a thrown ball, and opposite him, a girl, hands raised to catch a ball which never came down.

The five spots of paint—the man, the woman, the children, the ball—remained. The rest was a thin charcoaled layer.

The gentle sprinkler rain filled the garden with falling light.

Until this day, how well the house had kept its peace. How carefully it had inquired, "Who goes there? What's the password?" and, getting no answer from lonely foxes and whining cats, it had shut up its windows and drawn shades in an old-maidenly preoccupation with self—protection which bordered on mechanical paranoia.

It quivered at each sound, the house did. If a sparrow brushed a window the shade snapped up. The bird, startled, flew off! No, not even a bird must touch the house!

The house was an altar with ten thousand attendants, big, small, servicing attending, in choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly.

Twelve noon.

A dog whined, shivering, on the front porch.

The front door recognized the dog voice and opened. The dog, once huge and fleshy, but now gone to bone and covered with sores, moved in and though the house, tracking mud. Behind it whirred angry mice, angry at having to pick up mud, angry at inconvenience.

For not a leaf fragment blew under the door but what the wall flipped open and the copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel jaws, was raced back to the burrow. There, down the tubes which fed into the cellar, it was dropped into the sighing vent of an incinerator which sat like evil Baal in a dark corner.

The dog ran upstairs, hysterically yelping to each door, at least realizing, as the house realized, that only silence was there.

It sniffed the air and scratched the kitchen door. Behind the door the stove was making pancakes which filled the house with a rich baked odor and the scent of maple syrup.

The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.

Two o'clock sang a voice.

Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray leaves in an electrical wind.

Two-fifteen.

The dog was gone.

In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.

Two thirty-five.

Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of pips. Martinis manifested on an oaken bench with egg-salad sandwiches.
Music played.

But the tables were silent and the cards untouched.

At four o'clock the tables folded like butterflies back though the paneled walls.

Four-thirty.

The nursery walls glowed.

Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in crystal substance. The walls were glass. They looked upon color and fantasy. Hidden fills clocked though well-oiled sprockets, and the walls lived. The nursery floor was woven to resemble a crisp, cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot still air butterflies of delicate red tissue wavered among the sharp aroma of animal spoors! There was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like other hoofs, falling upon the summer-starched grass. Now the walls dissolved into distances of parched weed, mile on mile, and the warm endless sky. The animals drew away into thorn brakes and water holes.

It was the children's hour.

Five o'clock. The bath filled with clear hot water.

Six, seven, eight o'clock. The dinner dishes manipulated like magic tricks, and in the study a click. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped out, half an inch of soft gray ash on it, smoking, waiting.

Nine o'clock. A voice spoke from the study ceiling:
"Mrs. McClellan, which poem would you like this evening?"

The house was silent.

The voice said at last, "Since you express no preference, I shall select a poem at random." Quiet music rose to back the voice. "Sara Teasdale. As I recall, your favorite…"

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools singing at night,
And wild plum trees in tremulous white;
Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done,
Not one would mind, neither bird nor tree,
If mankind perished utterly;
And Spring herself, when she woke at dawn
Would scarcely know that we were gone.

The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash in its tray. The empty chairs faced each other between the silent walls, and the music played.

At ten o'clock the house began to die.

The wind blew. A falling tree bough crashed through the kitchen window. Cleaning solvent, bottled, shattered over the stove. The room was ablaze in an instant!

"Fire!" screamed a voice. The house lights flashed, water pumps shot water from the ceilings. But the solvent spread on the linoleum, licking, eating, under the kitchen door., while the voices took it up in chorus: "Fire, fire, fire!"

The house tried to save itself. Doors sprang tightly shut, but the windows were broken by the heat and the wind blew and sucked upon the fire.

The house gave ground as the fire in ten billion angry sparks moved with flaming ease from room to room and then up the stairs. While scurrying water rats squeaked from the walls, pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.

But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone.

The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.